Gaturron't, cartoons against Gaturro

Gaturron't, cartoons against Gaturro

There are things that are only possible in Argentina and Gaturron't is one of them. I think it's the first exhibition of its kind that I've seen and I'm almost certain that it's unprecedented in the world of graphic humour. It is the first thematic collective dedicated exclusively to a cartoonist and his

Nik and plagiarism, it goes on and on

Nik and plagiarism, it goes on and on

Nik is again singled out for plagiarising a cartoon. It doesn't matter when you read this. It is very likely that before you finish reading this note, Nik has already taken over another idea from any author. Although the Argentinian cartoonist and creator of Gaturro keeps insisting that he only has"three or four

Nik's plagiarism conspiracy theory, according to Nik

Nik's plagiarism conspiracy theory, according to Nik

"I had some drawings made to look like plagiarism of other artists". One of the heaviest and most difficult burdens to lift for an artist is to be considered a repeat plagiarist. The case of Cristian Gustavo Dzwonik, alias "Nik", is perhaps the most representative because his name has long been associated mainly

Gaturro, the most beaten character of the Paseo de la Historieta

Gaturro, el personaje más vapuleado del Paseo de la Historieta

The figure of Gaturro on the "Paseo de la Historieta" in Argentina has been vandalised over the years, disfigured beyond recognition. Gaturro, has always been considered a "bootleg" of Garfield, that is, an unauthorised or "pirated" edition as well as a bad copy of the famous cat from Jim Davis. The creator of

Nik accused of plagiarism, again

Nik accused of plagiarism, again

Nik and plagiarism, it goes on and on On the left, the cover of The Economist of 28 March, by Luca D'Urbino. On the right the May cartoon by Cristian Dzwonik, Nik. The Italian illustrator Luca D'Urbino published a message in Twitter addressed to the Argentinean newspaper La Nación and its illustrator, Nik,